Nine and a half weeks

9 1/2 Weeks

nine and a half weeks

Kim Basinger meets Mickey Rourke - Nine and a Half Weeks

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Filmed entirely on location and shot sequentially, British director Lyne with cinematographer, Peter Biziou, capture New York in all its gritty mixed-up charm. The scene in Coney Island on a rainy day with Basinger carrying a bunch of coloured balloons against a grey background is a particular favourite - it is so elegantly crafted that you can tell that the colour of each balloon was painstakingly chosen for maximum effect. As a Wall Street banker, John Gray has adopted a uniform of grey flannel suit, white shirt and sombre tie. But what a suit! It is the perfect combination of structure and drape and sits elegantly when worn unbuttoned. The trousers are pleated and worn with a belt, a useful accessory that can also double as a whip if Elizabeth refuses to crawl across the floor for cash. For casual encounters, John Gray sticks with his eponymous palette in fine gauge knitwear.

Sign in. The two-time Golden Globe nominee David Oyelowo has an awards-worthy list of must-see shows. See if you're caught up on his picks. Watch now. A female lawyer becomes mesmerized by a self-made millionaire during an encounter in Rio setting off a series of erotic encounters.

That's not to say the movie isn't sexy. I suppose a project of this sort depends crucially on the chemistry between its actors, and Kim Basinger and Mickey Rourke develop an erotic tension in this movie that is convincing, complicated and sensual. In the film, they play strangers who meet one day in a Chinese grocery store in Manhattan - Elizabeth, the smart, pretty assistant in a Soho art gallery, and John, the smiling, enigmatic commodities broker. Their first meeting is crucial to the entire film, and it is a quiet masterpiece of implication. She waits by a counter.



NINE AND A HALF WEEKS 9 KIM BASINGER MICKEY ROURKE ORIGINAL 11X14 LOBBY CARD #1 PORTRAIT

Nine and a half weeks (Jack Nitzsche)

Nine and a Half Weeks: A Memoir of a Love Affair

Sign in. For his latest role in Don't Let Go David Oyelowo goes to a dark place and embraces fear in the latest Blumhouse film. Watch now. A woman gets involved in an impersonal affair with a man. She barely knows about his life, only about the sex games they play, so the relationship begins to get complicated.

Day thinks of faking an upset stomach, a leg cramp, a missed appointment, but there is no escaping this encounter. Now tell me all about it, what kind of book are you writing? But what I discovered raised more questions than answers—which is likely what Day would have wanted. I liked it. I liked him. The reader is made complicit in the tension between her and her unnamed lover—a tension that at first seems exciting but quickly becomes fraught and frightening.

The film is based on the memoir of the same name by Austrian-American author Ingeborg Day. McGraw is a New York City art gallery employee who has a brief yet intense affair with a mysterious Wall Street broker. The film was completed in , but not released until February Considered too explicit by its American distributor, and cut for U. It also received mixed reviews at the time of its release. The title of the film refers to the duration of a relationship between Wall Street arbitrageur John Gray and divorced SoHo art gallery employee Elizabeth McGraw in her early 30s. John initiates and controls the various experimental sexual practices of this volatile relationship to push Elizabeth's boundaries.

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