Norman brown west coast coolin

West Coast Coolin'

norman brown west coast coolin

I chose this rating because I truly loved it. I do not have any dislike at all. The reason for liking the cd is because he is a very good artist to listen too. He was in .

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The pair returns to helm Coolin'. Can you tell something of a musician from the company he keeps? If so, note that studio legend Jerry Hey who's been around for so long he might have constructed arrangements for archangel Gabriel's trumpet arranged the occasional horns and plays flugelhorn, that ultra-smooth Eric Benet frequently served as co-composer, and that the centerpiece of this set is Brown's satiny smooth cover of Marvin Gaye's soul classic, "What's Going On. There's not a lot of "jazz here but plenty of pleasant music. Among the tracks with vocals, which Brown delivers with admirable soul and tenderness, "Come Over sounds the most seductively luscious, with the opening dove's song "I Might a cooing second. The closer, "Remember the Time, is not a cover of the Michael Jackson hit an easy assumption in this context but, as Brown's fingers fly up and down the frets like a world-class masseuse, one of his tastiest instrumentals. In other words, smooth jazz radio should be all over this release, which, oddly, is almost enough to make one think of George Benson as a jazz guitarist again.

The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. Packaging should be the same as what is found in a retail store, unless the item is handmade or was packaged by the manufacturer in non-retail packaging, such as an unprinted box or plastic bag. See details for additional description. Smooth laid back tracks to unwind to. Guranteed to make to you turn up the volume. Peace out! Skip to main content.

Norman Brown issues his third Warner Bros. Brown works with a host of producers, and his familiar smooth jazz underpinnings -- derived more from George Benson and Hiram Bullock than Wes Montgomery these days -- are present but not prevalent on most of the set. There's nothing wrong with this per se, but given how carefully crafted for radio this disc is, there are no surprises whatsoever; it's all safe, polished, and predictable. The highlights are the title track with its spidery groove and laid-back funky rhythm, the slippery hip-hop of "Come Over," and an inspired cover of "What's Goin' On. AllMusic relies heavily on JavaScript. Please enable JavaScript in your browser to use the site fully. Blues Classical Country.



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