Us department of arts and culture

US Department of Arts and Culture

us department of arts and culture

USDAC Super PAC: Buffalo Commons (UN)VOTE

and    serie mujer casos de la vida real capitulos completos   best courses in myrtle beach   can u get pregnant 4 days after your period ends

These days, it seems like we are in a constant state of emergency. Whether its a police shooting, an illegal pipeline project, a ban on Muslims entering the US, or the threat of nuclear war, we are bouncing from one disaster to the next with head-spinning rapidity. And this is to say nothing of long-simmering, chronic emergencies like poverty, climate change, and colonialism. It is well worth a read from start to finish. As Hurricane Sandy made its way toward the east coast in October of , an array of local, state, and national emergency management systems went into effect. In the hours after the storm hit, federal agencies and nonprofit organizations mobilized thousands of people and hundreds of millions of dollars to feed and clothe survivors, get the power back online, and clean up the physical impact of the disaster.

The U. Department of Arts and Culture is a people-powered department—a grassroots action network inciting creativity and social imagination to shape a culture of empathy, equity, and belonging. To create a just and welcoming world, we need social imagination to envision and enact change. Social institutions seldom allow us to show up as whole, creative humans. Together, we can rewrite these stories. We affirm the right to culture and pursue cultural democracy that:. When we feel seen, when we know that our stories and imaginations matter, we are more likely to bring our full creative selves to the work of social change.

The U.S. Department of Arts and Culture is a grassroots action network inciting creativity and social imagination to shape a culture of empathy, equity, and.
how to make a big bun

A people-powered department is nothing without its people. Her passion for equitable arts access is rooted in years of experience, at every level, in community-based arts and platforms that support artists of color. She most recently served as the executive director of Working Classroom , a grassroots arts organization of which she is an alumnus. Uballez received her B. She is a proud Latina, wife, and mother of a Chinese-Chicanx child, currently living in her hometown of Albuquerque, New Mexico. When Carol Zou was growing up in subsidized university housing as the child of first-generation Chinese immigrants, she read The Fledgling by Jane Langton and convinced the rest of the children in the apartment complex that if they practiced hard enough, they could collectively learn how to fly. She is still a professional dreamer, interlocutor, writer, organizer, educator, provocateur, and systems architect around issues of public space, imagination, and liberation from structural oppression.

Artists, cultural organizers, and other community members and leaders take part in the USDAC through creative local organizing, National Actions, policy work, and ongoing learning. Build community, spark creative change, and amplify your work as an individual, organization, or community through a USDAC National Action. A policy is a pledge that guides future action. Join us in holding agencies and institutions accountable to cultural democracy. We offer this platform to amplify ideas that can advance social healing and bring us closer to a future that countless Citizen Artists have told us they wish to inhabit: cultural democracy grounded in equity and engagement; full cultural citizenship, belonging without barrier; and deep respect for the right to culture—expression, participation, recognition—underpinning any just and caring society. We the people have the power to enshrine the RightToBelong as public and private policy. A policy is a kind of pledge to guide future action.

Organizing Team






Leave a Reply

Your email address will not be published. Required fields are marked *