Can t help lovin dat man
- Paroles "Can't Help Lovin' Dat Man" - Julie London
- Can't Help Lovin' Dat Man Lyrics
- The Global Source for Jazz
Paroles "Can't Help Lovin' Dat Man" - Julie London
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Show Boat Stage musical December 27, Added by Bastien Managed by tsk. Detailed search.
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Fish got to swim, birds got to fly, I got to love one man till I die. Can't help lovin' dat man of mine. Tell me he's lazy, tell me he's slow, Tell me I'm crazy, maybe I know. Oh listen sister, I love my mister man, And I can't tell you' why Dere ain't no reason Why Ishould love dat man, It mus' be sumpin dat de angels done plan. When he goes away, Dat's a rainy day, And when he comes back dat day is fine, De sun will shine! He kin come home as late as can be, Home without him ain't no home to me, Can't help lovin' dat man of mine.
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The song, written in a blues tempo, is sung in the show by several characters, but is most closely associated with the character Julie, the biracial leading lady of the showboat Cotton Blossom. It is Julie who is first heard singing the song — to Magnolia, the daughter of Cap'n Andy Hawks and his wife Parthenia Parthy , owners of the showboat. In the musical's plot, the number is supposed to be a song familiar to African-Americans for years, and this provides one of the most dramatic moments in the show. When Queenie, the black cook, comments that it is strange that light-skinned Julie knows the song because only black people sing it, Julie becomes visibly uncomfortable. Later, we learn that this is because Julie is " passing " as white — she and her white husband are guilty of miscegenation under the state's law. Immediately after Julie sings the song through once, Queenie chimes in with her own lyrics to it, and she is joined by her husband Joe, the black stevedore on the boat.
Can't Help Lovin' Dat Man Lyrics
Jerome Kern 's musical Show Boat enjoyed almost immediate success. Ziegfeld himself agreed to stage it in his newly completed theater, and it was so popular he created a second cast for concurrent runs in Philadelphia and New York; the first of four revivals plus three film versions took place only three years after the close.,
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