John lissauer you can do it if you really try

Leonard Cohen: Stars pay tribute to influential singer

john lissauer you can do it if you really try

John Lissauer - Topic; 3 videos; 19 views; Last updated on May 24, Play all . Share. Loading Save John Loeffler- You can do it if you really try (Cover).

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You were the promise at dawn, I was the morning after. You were Jesus Christ my Lord, I was the money lender. You were the sensitive woman, I was the very reverend Freud. You were the manual orgasm, I was the dirty little boy. And is this what you wanted to live in a house that is haunted by the ghost of you and me? You were K.

Various Positions is the seventh studio album by Leonard Cohen , released in December and February It marked not only his turn to the modern sound and use of synthesizers particularly on the opening track , but also, after the harmonies and backing vocals from Jennifer Warnes on the previous Recent Songs , an even greater contribution from Warnes, who is credited equally to Cohen as vocalist on all of the tracks. After recording Recent Songs , Cohen did not record again for five years and published no new writing until Book of Mercy in Asked by Mojo ' s Sylvie Simmons about this period of inactivity in , the singer replied, "My children were living in the South of France and I spent a lot of time visiting them. The pieces in Book of Mercy were coming and I was, slowly, writing the album that ended up as Various Positions. The pair had not worked together or even spoken since a project called Songs For Rebecca had been scuttled by Cohen's manager Marty Machat to clear the way for the singer to work with Phil Spector on 's Death of a Ladies' Man.

Update: The third and final post in this series, which examines and provides live performances of the tracks recorded for this project, is now online at Songs For Rebecca The Lost Leonard Cohen Album: The Songs. Without his help, this and the next post would have been incomplete and inaccurate. I am very grateful. John Lissauer was a very different sort of producer for Leonard Cohen than his predecessor, Bob Johnston. He was jazz-oriented, more laid back, and more classical in his approach to music. He was musical director, playing keyboards, saxophone, woodwinds for the and tours. During the tour, the idea for a new collaborative project, Songs For Rebecca, arose.

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Jimmy Cliff - You Can Get It If You Really Want

On this album he began to move away from the minimal instrumentation of his earlier work, with the use of violas , mandolins , banjos , guitars , percussion and other instruments producing a more orchestrated but nevertheless spare sound. The album has been certified silver in the UK , but never entered the Billboard Top For his fourth album, Cohen chose to work with John Lissauer , a recent college graduate and rising producer whose jazz background contrasted sharply with Bob Johnston , the Nashville -based producer who had been at the helm of Cohen's two previous releases, 's Songs From a Room and 's Songs of Love and Hate. Reynolds reports that Lissauer had the impression that the whole Nashville experience, including the European tour with "The Army" the touring band that Johnson assembled had been a bit overwhelming for Cohen: "It was like a big wave picking him up, and while he had fun it didn't quite have the artistic sensibility that Leonard needed. The focus then had been on this Nashville energy thing. Lissauer assembled a new group of musicians to join Cohen in the studio, including double bass player John Miller , as well as engineers Rip Lowell and Leanne Ungar.


Came So Far For Beauty - Cover of Leonard Cohen & John Lissauer




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