Barber of seville kennedy center
Barber of Seville | "Una voce poco fa"
The current production of the Washington National Opera Gioachino Rossini's The Barber of Seville plays like a frenetically captivating.get season episode season episode
Washington, especially the State Department it seems, wants to get back its swagger sic. No need to look further than taking a cue from the newly landed stellar body in our midst, baritone Andrey Zhilikhovsky. The Moldavian baritone has made a take-notice WNO debut. This weekend the company opens with its own Bernstein Birthday bash, mounting Candide as grand opera. There is a curious relationship between the two works. Also from that century, Gioachino Rossini plundered from a popular play by Beaumarchais.
Washington National Opera.
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It's ubiquitous, so deeply a part of our culture that we feel as though we've been aware of it our entire lives. The music from "Barber" also holds a special place for me, personally. In my near decade-long tenure as a viola player, learning to play the overture stands out as one of the first times I really enjoyed and connected with the music. As the orchestra at the Kennedy Center started, I could hear my late music teacher, Mrs. Wilson, reminding us to remember to bounce our bows. And I suddenly felt nervous for the performance I was about to see. I realized that I'm one of many people who have memories tied to this show, and sometimes the expectations are so high that it is impossible for a production to live up to them.
Review: The Barber of Seville from Washington National Opera
A stellar cast joins this WNO revival of Rossini's delightful comedy--one of the most beloved opera masterpieces of all time, boasting uproarious laughs and sensational music in equal measure. As the first Christmas nears, who among the animals can lead Mary and Joseph to Bethlehem? -